Copyright © Kevin Dobbs, 2001. All Rights Reserved.THE BARBER'S CHAIR
Like the electric chair makes
you remember your whole life.The barber snaps a white towel
and turns it around your neck:You think back thirty-eight-years
to another you, now dead really-a blood-soaked bundle
as you lay under the Mercurybumper, thighbone turned up
like a bullhorn. The same year,1963, another car,
a Lincoln convertible, hadmagic seats too. When you first saw
the Zapruder film decades lateryou had unmistakable deja vu:
Dallas, where blood was as silveras scissors, sweet stud shimmering
long before the lunar floor. Youwere in that glare. Not spectator.
But in that Lincoln's back seat.Now, you smell his cologne and swear
as electric shears buzz your temples:One small blast through the head of Man.
You can even hear the sudden thuds,the lead shafts goring out the light,
as the barber swivels the chairto the mirror and says, "Should I
take more gray?" It's then you seethe bloody, crumpled down dashboard
over which your sexy young motheris buckled in horror, the father
you thought would always be president,on the hood, hands and knees, swaying,
head somehow sown into the wrinkledwindshield. The barber says "Sorry."
--There's blood on the towel.Says his shears have slit your ear.
The barber's chair, like the electricchair, sends you everywhere at once.
You were in Dallas that day.Not gawking from the sidewalk, not
just walking by, pulling triggersor even taking snapshots. No,
the whole family was packedinto that big, beautiful Lincoln
moving so slow, and then so fast.